This lecture/performance is based on oral histories of black southern women who desire women. Johnson will discuss some of the methodological challenges of being a man conducting research on women as well as cover some of the topics that he found to be common among many of the women he interviewed. In addition, Johnson will perform excerpts from some of the oral histories.
E. Patrick Johnson has published widely in the areas of race, class, gender, sexuality, and performance. He is the founder and director of the Black Arts Initiative at Northwestern. He is also a Project& artist, a nonprofit arts organization engaged in art for social change and impact. Johnson is a prolific performer and scholar, and an inspiring teacher, whose research and artistry has greatly impacted African American studies, performance studies, and sexuality studies.
He is the author of two award-winning books, Appropriating Blackness: Performance and the Politics of Authenticity, and Sweet Tea: Black Gay Men of the SouthâAn Oral History. He is the editor of Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (Michigan UP, 2013) and co-editor (with Mae G. Henderson) of Black Queer StudiesâA Critical Anthology and (with Ramon Rivera-Servera) of solo/black/woman: scripts, interviews, and essays and Blacktino Queer Performance (Duke UP, forthcoming). He is currently at work on the companion text to Sweet Tea, entitled, Honeypot: Southern Black Women Who Love Women and an edited collection of new writings in black queer studies tentatively titled, No Tea, No Shade: New Writings in Black Queer Studies.
This event is free and open to the public.
Part of the LGBTQ Studies Project and the Artists' Salon at the Center for the Study of Gender and Sexuality. Co-sponsored by the Center for the Study of Race, Politics, and Culture.
Date: January 12, 2017
Time: 4:30 PM - 6:00 PM
See:https://www.facebook.com/events/1228828117155629/
Date: January 12, 2017
Time: 4:30 PM - 6:00 PM
See:https://www.facebook.com/events/1228828117155629/